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  • In Le Jazz, Matthew F. Jordan deftly blends textual analysis, critical theory, and cultural history in a wide-ranging and highly readable account of how jazz progressed from a foreign cultural innovation met with resistance by French traditionalists to a naturalized component of the country's identity. Jordan draws on sources including ephemeral critical writing in the press and twentieth-century French literature to trace the country's reception of jazz, from the Cakewalk dance craze and the music's significance as a harbinger of cultural recovery after World War II to its place within French ethnography and cultural hybridity.

     

    Countering the histories of jazz's celebratory reception in France, Jordan delves in to the reluctance of many French citizens to accept jazz with the same enthusiasm as the liberal humanists and cosmopolitan crowds of the 1930s. Jordan argues that some listeners and critics perceived jazz as a threat to traditional French culture, and only as France modernized its identity did jazz become compatible with notions of Frenchness. Le Jazz speaks to the power of enlivened debate about popular culture, art, and expression as the means for constructing a vibrant cultural identity, revealing crucial keys to understanding how the French have come to see themselves in the postwar world.


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    Le Jazz Jazz and French Cultural Identity Matthew F Jordan 9780252077067 Books Reviews :



    In Le Jazz, Matthew F. Jordan deftly blends textual analysis, critical theory, and cultural history in a wide-ranging and highly readable account of how jazz progressed from a foreign cultural innovation met with resistance by French traditionalists to a naturalized component of the country's identity. Jordan draws on sources including ephemeral critical writing in the press and twentieth-century French literature to trace the country's reception of jazz, from the Cakewalk dance craze and the music's significance as a harbinger of cultural recovery after World War II to its place within French ethnography and cultural hybridity.

     

    Countering the histories of jazz's celebratory reception in France, Jordan delves in to the reluctance of many French citizens to accept jazz with the same enthusiasm as the liberal humanists and cosmopolitan crowds of the 1930s. Jordan argues that some listeners and critics perceived jazz as a threat to traditional French culture, and only as France modernized its identity did jazz become compatible with notions of Frenchness. Le Jazz speaks to the power of enlivened debate about popular culture, art, and expression as the means for constructing a vibrant cultural identity, revealing crucial keys to understanding how the French have come to see themselves in the postwar world.

    Matthew F. Jordan,Le Jazz Jazz and French Cultural Identity,University of Illinois Press,0252077067,Europe - France,Genres Styles - Jazz,History Criticism,Jazz - France - History and criticism,Jazz;France;History and criticism.,Cultural studies,Europe,FRANCE - HISTORY,France,General Adult,Genres Styles,Genres Styles - Rock,HISTORY,HISTORY / Europe / France,History and criticism,History/Europe - France,Jazz,MUSIC,MUSIC / Genres Styles / Jazz,MUSIC / History Criticism,MUSIC HISTORY AND CRITICISM +,Music/Genres Styles - Rock,Music/Songbooks,Non-Fiction,UNIVERSITY PRESS,United States,Genres Styles - Rock,HISTORY / Europe / France,History/Europe - France,MUSIC / Genres Styles / Jazz,MUSIC / History Criticism,Music/Genres Styles - Rock,Music/Songbooks,France,History and criticism,Jazz,Music History And Criticism +,Music,Cultural studies

    Le Jazz Jazz and French Cultural Identity [Matthew F. Jordan] on . DIV p class= MsoNormal In ILe Jazz, /i Matthew F. Jordan deftly blends textual analysis, critical theory


     

    Product details

    • Paperback 312 pages
    • Publisher University of Illinois Press; 1st edition (March 30, 2010)
    • Language English
    • ISBN-10 0252077067
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